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• Category: # 1 Summer 1982
  • Issue 1 – Front cover
  • Editor’s Comment
  • Reader’s Letters
  • Reader’s Letters – page 2
  • The Grasshopper Group – part 1
  • The Grasshopper Group – part 1
  • Tony Salmon’s The Devil Went Down to Georgia
  • Tony Salmon’s The Devil Went Down to Georgia
  • Building an Animation Rostrum – part 1 (page 1 of 2)
  • Building an Animation Rostrum – part 1 (page 2 of 2)
  • Making the film Nightmare
  • My Animation Experience So Far
  • Animation as a training aid
  • Track Reading for Beginners
• Category: # 2 Autumn 1982
  • Editor’s Comment
  • Reader’s Letters
  • Issue 2 – Front cover
  • The Grasshopper Animators – part 2
  • The Grasshopper Animators – part 2
  • Building an Animation Rostrum – part 2
  • Building an Animation Rostrum – part 2
  • Making the Legend of Bolster
  • Making the Legend of Bolster
  • Making the Legend of Bolster
  • Cutting the cost of cel animation
  • Cutting the cost of cel animation
  • Animation by a young film maker
  • Animation by a young film maker
  • Animated films in the IAC film library (Autumn 1982)
  • Animated films in the IAC film library (Autumn 1982)
  • Animated films in the IAC film library (Autumn 1982)
• Category: # 3 Winter 1982
  • Issue 3 – Front cover
  • Reader’s Letters
  • Editor’s Comment
  • Making Puppets for Stop-motion Films
  • Making Puppets for Stop-motion Films
  • Building an Animation Rostrum – part 3
  • Building an Animation Rostrum – part 3
  • The Perils of Plasticine
  • The Perils of Plasticine – Page 2
  • The Grasshopper Animators – part 3
  • The Grasshopper Animators – part 3
  • The Grasshopper Animators – part 3
  • Setting the Scene
  • Setting the Scene
  • Setting the Scene
  • Barry Leith at FilmFair Animation Studios (page 1 of 5)
  • Barry Leith at FilmFair Animation Studios (page 2 of 5)
  • Barry Leith at FilmFair Animation Studios (page 3 of 5)
  • Barry Leith at FilmFair Animation Studios (page 4 of 5)
  • Barry Macey at FilmFair Animation Studios (page 5 of 5)
• Category: # 4 Spring 1983
  • Issue 4 – Front Cover
  • Editor’s Comment
  • Reader’s Letters
  • The ANIMA Report
  • Film Workshop in Edinburgh 1983
  • The Shadows Move – the British pioneers
  • The Shadows Move – the British pioneers
  • The Shadows Move – the British pioneers
  • Drawing a Cartoon Face
  • Drawing a Cartoon Face
  • Cut-out Animation with UFOs
  • Cut-out Animation with UFOs
  • Beginners’ View of Animation
  • Beginners’ View of Animation
  • Open Letter to an Enthusiast
  • Open Letter to an Enthusiast
  • Open Letter to an Enthusiast
• Category: # 5 Summer 1983
  • Issue 5 – Front Cover
  • Editor’s Comment
  • Reader’s Letters
  • Planning your animation film
  • Planning your animation film
  • Planning your animation film
  • The ANIMA Report
  • The Shadows Move – the 1930s
  • The Shadows Move – the 1930s
  • The Shadows Move – the 1930s
  • Drawing Cartoon Figures
  • Drawing Cartoon Figures
  • Reminiscences of an animator
  • Reminiscences of an animator
  • Squaring the Circle
  • Squaring the Circle
  • Beginner’s View of Inking and Painting Cels
  • Beginner’s View of Inking and Painting Cels
  • Jazz in Animation – Experimental
  • Jazz in Animation – Experimental
  • Jazz in Animation – Experimental
  • The Films of Sheila Graber 1974 to 1977
  • The Films of Sheila Graber 1974 to 1977
  • The Films of Sheila Graber 1974 to 1977
• Category: # 6 Autumn 1983
  • Issue 6 – Front Cover
  • The ANIMA Report
  • Beginner’s View – filming the cels
  • Beginner’s View – filming the cels
  • Beginner’s View – filming the cels
  • Annecy Animation Festival – the historical background
  • Annecy Animation Festival – the historical background
  • Annecy Animation Festival – the historical background
  • Annecy Animation Festival – the historical background
  • The Shadows Move – the 1940s
  • The Shadows Move – the 1940s
  • The Shadows Move – the 1940s
  • The Shadows Move – the 1940s
  • The Shadows Move – the 1940s
  • Labour Saving Animation with Lip-sync
  • Labour Saving Animation with Lip-sync
  • Labour Saving Animation with Lip-sync
  • Labour Saving Animation with Lip-sync
  • The Films of Sheila Graber 1977 to 1982
  • The Films of Sheila Graber 1977 to 1982
  • Group Animation – Our First Attempt
  • Group Animation – Our First Attempt
  • Group Animation – Our First Attempt
  • Group Animation – Our First Attempt
  • Drawing Cartoons – how to show expressions
  • Cambridge Animation Festival 1983
  • Cambridge Animation Festival 1983
  • Cambridge Animation Festival 1983
  • Cambridge Animation Festival 1983
  • Bugs Bunny Signs Up
  • Contemporary British Animation in 1983
• Category: # 7 Winter 1983
  • Issue 7 – Front cover
  • Australian animation in the 1970s
  • Australian animation in the 1970s
  • Australian animation in the 1970s
  • Australian animation in the 1970s
  • Introducing a new Visual Language
  • Introducing a new Visual Language
  • Introducing a new Visual Language
  • What is ASIFA
  • What is ASIFA
  • Edinburgh Film Festival 1983
  • Edinburgh Film Festival 1983
  • The Shadows Move – G.B. Animation
  • The Shadows Move – G.B. Animation
  • The Shadows Move – G.B. Animation
  • The Shadows Move – G.B. Animation
  • How to build a Zoetrope
  • How to build a Zoetrope – Page 2
  • Animating Christmas Card Cut-outs
  • Animating Christmas Card Cut-outs
  • The first ANIMA Festival
  • The first ANIMA Festival
  • Skywhales from Animation City
  • Skywhales from Animation City
  • Skywhales from Animation City
  • Skywhales – the story
  • Skywhales – the story
  • The Annecy Animation Festival 1983
  • The Annecy Animation Festival 1983
  • The Annecy Animation Festival 1983
  • The Annecy Animation Festival 1983
  • The Cambridge Animation Festival 1983
  • The Cambridge Animation Festival 1983
  • The Cambridge Animation Festival 1983
  • The Cambridge Animation Festival 1983
  • The Cambridge Animation Festival 1983
• Category: # 8 Spring 1984
  • Issue 8 – Front cover
  • The Wind in the Willows – Cosgrove Hall
  • The Wind in the Willows – Cosgrove Hall
  • The Wind in the Willows – Cosgrove Hall
  • Cosgrove-Hall Productions (page 1 of 3)
  • Cosgrove-Hall Productions (page 2 of 3)
  • Cosgrove-Hall Productions (page 3 of 3)
  • The Brussels Super 8 International Film Festival 1983
  • The Brussels Super 8 International Film Festival 1983
  • The Brussels Super 8 International Film Festival 1983
  • The Shadows Move – the 1950s (page 1 of 4)
  • The Shadows Move – the 1950s (page 2 of 4)
  • The Shadows Move – the 1950s (page 3 of 4)
  • The Shadows Move – the 1950s (page 4 of 4)
  • Metamorphosis with Cut-outs
  • Metamorphosis with Cut-outs
  • What’s Up Doc?
  • What’s Up Doc?
  • The photo’s of Eadweard Muybridge
  • The photo’s of Eadweard Muybridge
  • The photo’s of Eadweard Muybridge
  • The photo’s of Eadweard Muybridge
  • Gallery by Mark Fuller
  • Gallery by Mark Fuller
  • Gallery by Mark Fuller
  • The making of Busby
  • Dragon’s Lair
  • Dragon’s Lair
• Category: # 9 Summer 1984
  • Issue 9 – Front cover
  • TVC Animation Studio from the Beatles to the Snowman
  • TVC Animation Studio from the Beatles to the Snowman
  • TVC Animation Studio from the Beatles to the Snowman
  • TVC Animation Studio from the Beatles to the Snowman
  • The Shadows Move – Part Six – the rise of TV animation
  • The Shadows Move – Part Six – the rise of TV animation
  • The Shadows Move – Part Six – the rise of TV animation
  • Walk-Run Cycles for Cartoon Animation
  • Walk-Run Cycles for Cartoon Animation
  • Films at the Cambridge animation Festival 1983
  • Films at the Cambridge animation Festival 1983
  • Feature Films at the Cambridge animation Festival 1983
  • Computer Games in 1984
  • The Vulture – Plasticine Animation Takes Off
  • The Vulture – Plasticine Animation Takes Off
  • Animated Sketch Book – getting good movement
  • Animated Sketch Book – getting good movement
  • The Donald Duck Story
  • The Donald Duck Story
  • The Donald Duck Story
  • The Donald Duck Story
  • Cartoon Storyboards – where do ideas come from?
  • Using Storyboards for Cartoon Animation
  • Using Storyboards for Cartoon Animation
  • Using Storyboards for Cartoon Animation
• Category: #10 Autumn 1984
  • Issue 10 – Front cover
  • The Art Babbitt Classical Animation Course
  • The Art Babbitt Classical Animation Course – Page 2
  • The Art Babbitt Classical Animation Course – Page 3
  • The Art Babbitt Classical Animation Course – Page 4
  • Art Babbitt by Richard Williams
  • Art Babbitt by Richard Williams – Page 2
  • Siriol and SuperTed
  • Siriol and SuperTed – Page 2
  • Siriol and SuperTed – Page 3
  • The Shadows Move – the 1970s
  • The Shadows Move – the 1970s – Page 2
  • The Shadows Move – the 1970s – Page 3
  • The Shadows Move – the 1970s – Page 4
  • How to be a Racing Driver
  • Channel 4 Logo
  • Channel 4 Logo – Page 2
  • Richard Taylor’s Swimsong
  • Richard Taylor’s Swimsong – Page 2
  • Animation Workshops with Young People
  • Lip Synch Cut-outs
  • Christmas for Sale
  • Christmas for Sale – Page 2
  • Animated Sketch Book – Animals moving
• Category: #11 Winter 1984
  • Issue 11 – Front cover
  • Animated Comment – Ken Clark chats with Richard Williams
  • Animated Comment – Ken Clark chats with Richard Williams – Page 2
  • Animated Comment – Ken Clark chats with Richard Williams – Page 3
  • Animated Comment – Ken Clark chats with Richard Williams – Page 4
  • Animated Comment – Ken Clark chats with Richard Williams – Page 5
  • Animated cartoons televised in the USA 1946-1981
  • Animated cartoons televised in the USA 1946-1981 – Page 2
  • Animated cartoons televised in the USA 1946-1981 – Page 3
  • Animated cartoons televised in the USA 1946-1981 – Page 4
  • Pop goes Hierographics trace and paint service
  • Pop goes Hierographics trace and paint service – Page 2
  • The kitchen as an puppet animation studio
  • The kitchen as an puppet animation studio – Page 2
  • The kitchen as an puppet animation studio – Page 3
  • Art Babbitt’s animation seminar
  • Art Babbitt’s animation seminar – Page 2
  • Scratch and Tiger Trax Animation
  • Scratch and Tiger Trax Animation – Page 2
  • Scratch and Tiger Trax Animation – Page 3
  • Alastair Taylor’s Fridge D’or
  • Alastair Taylor’s Fridge D’or – Page 2
  • Fans of Japanese animation
  • Charles ‘Joe’ Noble. 1894 to 1984. A tribute.
  • Bob Privett. 19? to 1984. A tribute.
• Category: #12 Spring 1985
  • Issue 12 – Front cover
  • Highlights of British animation 1985
  • Highlights of British animation 1985 – Page 2
  • Highlights of British animation 1985 – Page 3
  • Disney Animator Ollie Johnston
  • Disney Animator Ollie Johnston – Page 2
  • Disney Animator Ollie Johnston – Page 3
  • Disney Animator Ollie Johnston – Page 4
  • Disney Animator Ollie Johnston – Page 5
  • Harold Whitaker by John Halas
  • Harold Whitaker by John Halas – Page 2
  • Harold Whitaker by John Halas – Page 3
  • Harold Whitaker by John Halas – Page 4
  • Ken Clark chats with Dick and Elizabeth Horn
  • Ken Clark chats with Dick and Elizabeth Horn – Page 2
  • Ken Clark chats with Dick and Elizabeth Horn – Page 3
  • Ken Clark chats with Dick and Elizabeth Horn – Page 4
  • The making of Izzi Knott Cocky
  • Too much walking
  • Too much walking – Page 2
  • Growing up with Hanna-Barbera
  • Growing up with Hanna-Barbera – Page 2
  • Trace and paint with Maggy Clark
• Category: #13 Summer 1985
  • Issue 13 – Front cover
  • Alan Kitching and ANTICS computer animation
  • Alan Kitching and ANTICS computer animation – Page 2
  • Alan Kitching and ANTICS computer animation – Page 3
  • From Mr Man to Bananaman – Flicks Films
  • From Mr Man to Bananaman – Flicks Films – Page 2
  • From Mr Man to Bananaman – Flicks Films – Page 3
  • From Mr Man to Bananaman – Flicks Films – Page 4
  • From Mr Man to Bananaman – Flicks Films – Page 5
  • Bye! Bye! Biographic Studios
  • Bye! Bye! Biographic Studios – Page 2
  • Bye! Bye! Biographic Studios – Page 3
  • Bye! Bye! Biographic Studios – Page 4
  • Clarence Nash – the voice of Donald Duck
  • Clarence Nash – the voice of Donald Duck – Page 2
  • Bread and Butter Art – a history of animated commercials
  • How animation paint is made
  • How animation paint is made – Page 2
  • How animation paint is made – Page 3
  • Prepare to enter the realm of the imagination
  • Prepare to enter the realm of the imagination – Page 2
  • Prepare to enter the realm of the imagination – Page 3
  • Experiment with animating abstract shapes
  • Experiment with animating abstract shapes – Page 2
  • Experiment with animating abstract shapes – Page 3
• Category: #14 Winter 1985
  • Issue 14 – Front cover
  • George Pal Puppetoons – the early years
  • George Pal Puppetoons – the early years – Page 2
  • George Pal Puppetoons – the early years – Page 3
  • Wolfgang Reitherman remembered
  • Wolfgang Reitherman remembered – Page 2
  • Annecy Animation Festival 1985
  • Annecy Animation Festival 1985 – Page 2
  • Annecy Animation Festival 1985 – Page 3
  • Annecy Animation Festival 1985 – Page 4
  • Annecy Animation Festival 1985 – Page 5
  • Early Animated Adverts programme at the NFT
  • Computer animation at Lucasfilm
  • Computer animation at Lucasfilm – Page 2
  • Inbetweening by home computer
  • Arthur Humberstone senior animator
  • Arthur Humberstone senior animator – Page 2
  • Arthur Humberstone senior animator – Page 3
  • Arthur Humberstone senior animator – Page 4
  • Arthur Humberstone senior animator – Page 5
  • D.I.Y Rostrum
  • D.I.Y Rostrum – Page 2
  • The housing that Jerry built
• Category: #15 Spring 1986
  • Issue 15 – Front cover
  • Ken Clark chats with Bob Godfrey
  • Ken Clark chats with Bob Godfrey – Page 2
  • Ken Clark chats with Bob Godfrey – Page 3
  • A He-Man leads the U.S.A. $yndication War$
  • A He-Man leads the U.S.A. $yndication War$ – Page 2
  • A He-Man leads the U.S.A. $yndication War$ – Page 3
  • Newfeld seek new toys
  • Disneyland – the greatest walk-thru cartoon ever drawn
  • Disneyland – the greatest walk-thru cartoon ever drawn – Page 2
  • Disneyland – the greatest walk-thru cartoon ever drawn – Page 3
  • Cambridge Animation Festival 1985
  • Cambridge Animation Festival 1985 – Page 2
  • Animation stew from The Black Cauldron
  • Animation stew from The Black Cauldron – Page 2
  • D.I.Y. Rostrum Part Two
  • D.I.Y. Rostrum Part Two – Page 2
  • Beowulf in Plasticine – cameras might fly
  • Beowulf in Plasticine – cameras might fly – Page 2
• Category: #16 Summer 1986
  • Issue 16 – Front cover
  • Ken Clark chats with John Coates
  • Ken Clark chats with John Coates – Page 2
  • Ken Clark chats with John Coates – Page 3
  • Will the REAL Walt Disney…
  • Will the REAL Walt Disney… – Page 2
  • Walt Disney’s Pinocchio – Animation Masterwork
  • Walt Disney’s Pinocchio – Animation Masterwork – Page 2
  • Tony White’s Animator’s Workbook
  • Tony White’s Animator’s Workbook – Page 2
  • Tony White’s Animator’s Workbook – Page 3
  • Tony White’s Animator’s Workbook – Page 4
  • Tony White’s Animator’s Workbook – Page 5
  • Micro-computer rostrum control
  • Micro-computer rostrum control – Page 2
  • D.I .Y. Rostrum – Part Three
  • The hard cel – collecting original animation artwork
  • The making of Life Cycle
  • The making of Life Cycle – Page 2
• Category: #17 Autumn 1986
  • Issue 17 – Front cover
  • Brian Cosgrove co-founder of Cosgrove Hall
  • The design team at Cosgrove Hall
  • The design team at Cosgrove Hall – Page 2
  • The design team at Cosgrove Hall – Page 3
  • Chris Randall Producer/Director at Cosgrove Hall
  • Dan Whitworth developer for Count Duckula series
  • Dan Whitworth developer for Count Duckula series – Page 2
  • Painting the cels at Cosgrove Hall
  • Rostrum camera and post-production at Cosgrove Hall
  • Mark Hall co-founder of Cosgrove Hall
  • The puppet workshop at Cosgrove Hall
  • The puppet workshop at Cosgrove Hall – Page 2
  • Nigel Cornford puppet costume maker at Cosgrove Hall
  • Christine Walker model shop supervisor at Cosgrove Hall
  • Jackie Cockle Director of Wind in the Willows at Cosgrove Hall
  • Francis Vose director of Creepy Crawlies at Cosgrove Hall
  • Francis Vose director of Creepy Crawlies at Cosgrove Hall – Page 2
  • John Hambley Chief Executive Cosgrove Hall interview
  • Basil – The Great Mouse Detective review
  • Basil – The Great Mouse Detective review – Page 2
  • Basil – The Great Mouse Detective review – Page 3
• Category: #18 Spring 1987
  • Issue 18 – Front cover
  • David Hall’s Wonderland – book review
  • David Hall’s Wonderland – book review – Page 2
  • Visit to Rushes Postproduction Ltd in London
  • Visit to Rushes Postproduction Ltd in London – Page 2
  • Visit to Camera Effects Ltd in London
  • Visit to Camera Effects Ltd in London – Page 2
  • Visit to Camera Effects Ltd in London – Page 3
  • Sean Lenihan on Editing Animated Films
  • Sean Lenihan on Editing Animated Films – Page 2
  • Sean Lenihan on Editing Animated Films – Page 3
  • The Masters of Animation collection
  • The Masters of Animation collection – Page 2
  • Whatever happened to Signal Film Unit?
  • Whatever happened to Signal Film Unit? – Page 2
  • The Video-of-the-Film-of-the-Book
  • The Video-of-the-Film-of-the-Book – Page 2
  • David Hand (1900— 1986)
• Category: #19 Summer 1987
  • Issue 19 – Front cover
  • Dr. Scratch – My Favourite Shorts
  • When The Wind Blows film review
  • The making of When the Wind Blows
  • The making of When the Wind Blows – Page 2
  • The making of When the Wind Blows – Page 3
  • The making of When the Wind Blows – Page 4
  • The making of When the Wind Blows – Page 5
  • The making of When the Wind Blows – Page 6
  • The making of When the Wind Blows – Page 7
  • The making of When the Wind Blows – Page 8
  • The making of When the Wind Blows – Page 9
  • Tribute to Norman McLaren
  • Tribute to Norman McLaren – Page 2
  • Memories of Norman McLaren
  • David Hand – A Guiding Hand
  • Gaumont British Animation – A Great British Achievement
  • Gaumont British Animation – A Great British Achievement – Page 2
  • Gaumont British Animation – A Great British Achievement – Page 3
  • Make Mine Music – Disney film review
  • Make Mine Music – Disney film review – Page 2
  • Make Mine Music – Disney film review – Page 3
  • Make Mine Music – Disney film review – Page 4
• Category: #20 Autumn 1987
  • Issue 20 – Front cover
  • Advice to the aspiring cartoonist
  • My Top Ten animated films
  • Annecy Animated Film Festival 1987
  • Annecy Animated Film Festival 1987 – Page 2
  • Annecy Animated Film Festival 1987 – Page 3
  • Annecy Animated Film Festival 1987 – Page 4
  • Snow White – Behind the Magic Mirror
  • Snow White – Behind the Magic Mirror – Page 2
  • Snow White – Behind the Magic Mirror – Page 3
  • Snow White – Behind the Magic Mirror – Page 4
  • Snow White and the Seven Dwarfs – Disney‘s fabulous folly
  • Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 2
  • Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 3
  • Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 4
  • Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 5
  • Pondles join pre-school market
  • Pondles join pre-school market – Page 2
  • Pondles join pre-school market – Page 3
  • Pondles join pre-school market – Page 4
  • Pondles join pre-school market – Page 5
  • Pondles join pre-school market – Page 6
  • Pondles join pre-school market – Page 7
  • Pondles join pre-school market – Page 8
• Category: #21 Winter 1987
  • Issue 21 – Front cover
  • Studio report
  • The animation cel story
  • Annecy Festival 1987
  • Annecy Festival 1987 – Page 2
  • Girl’s night out – Joanna Quinn
  • Girl’s night out – Joanna Quinn – Page 2
  • Girl’s night out – Joanna Quinn – Page 3
  • Fine Art Babbitt
  • The fairest film of all – Snow White reassessed
  • The fairest film of all – Snow White reassessed – Page 2
  • The fairest film of all – Snow White reassessed – Page 3
  • The fairest film of all – Snow White reassessed – Page 4
  • With a smile and a song – Adriana Caselotti
  • With a smile and a song – Adriana Caselotti – Page 2
  • An American Tail
  • An American Tail – Page 2
  • An American Tail – Page 3
  • What makes Brian Borthwick tick?
  • What makes Brian Borthwick tick? – Page 2
  • Snow White meets Giovanni Morelli
  • Snow White meets Giovanni Morelli – Page 2
  • Snow White meets Giovanni Morelli – Page 3
• Category: #22 Spring 1988
  • Issue 22 – Front cover
  • The Bristol Animation Festival 1987 – Page 2
  • The Great Animation Debate
  • The Great Animation Debate – Page 2
  • Owning part of your dream – collecting animation art
  • Owning part of your dream – collecting animation art – Page 2
  • Stowaways on the Ark
  • Stowaways on the Ark – Page 2
  • Stowaways on the Ark – Page 3
  • The Best of British Animation programme
  • Klacto – Oscar Grillo and Ted Rockley
  • Klacto – Oscar Grillo and Ted Rockley – Page 2
  • Klacto – Oscar Grillo and Ted Rockley – Page 3
  • Klacto – Oscar Grillo and Ted Rockley – Page 4
  • Klacto – Oscar Grillo and Ted Rockley – Page 5
  • Klacto – Oscar Grillo and Ted Rockley Page 6
  • Breakfast with a Blob
  • Animating in Turkey
  • Perspective for animators
  • Perspective for animators – Page 2
  • Perspective for animators – Page 3
  • Animated Pictures at an Exhibition
• Category: #23 Summer 1988
  • Issue 23 – Front cover
  • The Animator’s Bookshelf
  • The Animator’s Bookshelf – Page 2
  • The Animator’s Bookshelf – Page 3
  • Mickey Mouse – The Mouse’s Tale
  • Mickey Mouse – The Mouse’s Tale – Page 2
  • Mickey Mouse – The Mouse’s Tale – Page 3
  • The International Trickfilm Festival Stuttgart ‘88
  • The International Trickfilm Festival Stuttgart ‘88 – Page 2
  • The International Trickfilm Festival Stuttgart ‘88 – Page 3
  • The International Trickfilm Festival Stuttgart ‘88 – Page 4
  • Bob Godfrey workshop lecture
  • Bob Godfrey workshop lecture – Page 2
  • Graham Clutterbuck – a great entrepreneur
  • Graham Clutterbuck – a great entrepreneur – Page 2
  • Jiri Barta and The Pied Piper
  • Jiri Barta and The Pied Piper – Page 2
  • Jiri Barta and The Pied Piper – Page 3
  • Perspective for Animators
  • Perspective for Animators – Page 2
  • Cartoons, Computers and Antics
  • Cartoons, Computers and Antics – Page 2
  • Cartoons, Computers and Antics – Page 3
• Category: #24 Winter 1988
  • Issue 24 – Front cover
  • Animating for Hartbeat
  • Roger the Lucky Rabbit – Who Framed Roger Rabbit review
  • Roger the Lucky Rabbit – Who Framed Roger Rabbit review – Page 2
  • Roger the Lucky Rabbit – Who Framed Roger Rabbit review – Page 3
  • Richard Williams and Who Framed Roger Rabbit
  • Richard Williams and Who Framed Roger Rabbit – Page 2
  • Richard Williams and Who Framed Roger Rabbit – Page 3
  • Richard Williams and Who Framed Roger Rabbit – Page 4
  • Richard Williams and Who Framed Roger Rabbit – Page 5
  • Richard Williams and Who Framed Roger Rabbit – Page 6
  • Richard Williams and Who Framed Roger Rabbit – Page 7
  • Richard Williams and Who Framed Roger Rabbit – Page 8
  • Who Framed Roger Rabbit – some background pictures
  • Who Framed Roger Rabbit – some background pictures – Page 2
  • Who Framed Roger Rabbit – some background pictures – Page 3
  • Winsor McCay, His Life and Art
  • Winsor McCay, His Life and Art – Page 2
  • Perspective for Animators Part Three Cylindrical Perspective
  • Perspective for Animators Part Three Cylindrical Perspective – Page 2
  • Perspective for Animators Part Three Cylindrical Perspective – Page 3
  • Cartoons, Computers and Antics
  • Cartoons, Computers and Antics – Page 2
  • Cartoons, Computers and Antics – Page 3
  • Cartoons, Computers and Antics – Page 4
  • Cartoons, Computers and Antics – Page 5
• Category: #25 Summer 1989
  • Issue 25 – Front cover
  • News reports: Bristol Festival ’89 – ASIFA UK Board election
  • News reports: The Hippodrome Show – Miro Man
  • News reports: Bluth commercials – Huxley Pig
  • News reports: Charlie Chalk – M.E.D.I.A. 92
  • Tribute to Eric Larson
  • Annecy Animation Festival 1989
  • The USA scene – Report from John Cawley
  • Animation Quiz
  • The Ballad of Dr Scratch
  • Book reviews The Disney Studio Story
  • Book reviews The Disney Studio Story & Animation
  • Book reviews Experimental Animation & Cartoons Il Cinema d’Animazione
  • Over my shoulder
  • Over my shoulder – Page 2
  • Over my shoulder – Page 3
  • Paul Driessen Workshop
  • Paul Driessen Workshop – Page 2
  • Paul Driessen Workshop – Page 3
  • Animation and Art by John Halas
  • Ray Fields workshop lecture
  • Ray Fields workshop lecture – Page 2
  • Nik Lever of Catalyst Pictures
  • Nik Lever of Catalyst Pictures – Page 2
  • Nik Lever of Catalyst Pictures – Page 3
  • Nik Lever of Catalyst Pictures – Page 4
  • Nik Lever of Catalyst Pictures – Page 5
  • Nik Lever of Catalyst Pictures Page 6
• Category: #26 Spring 1990
  • Issue 26 – Front cover
  • The BFG
  • Animation Festival Bristol ‘89
  • Animation Festival Bristol ‘89 – Page 2
  • Channel 4: commissioning and purchasing animation
  • Channel 4: commissioning and purchasing animation – Page 2
  • Oliver & Company: hand drawn in the Disney tradition
  • Oliver & Company: hand drawn in the Disney tradition Page 2
  • Oliver & Company: hand drawn in the Disney tradition Page 3
  • Bernie Kay: Scriptwriting for Animation
  • Bernie Kay: Scriptwriting for Animation – Page 2
  • Bernie Kay: Scriptwriting for Animation – Page 3
  • John Halas Profile
  • John Halas Profile – Page 2
  • John Halas Profile – Page 3
  • John Halas Profile – Page 4
  • Don Bluth on his search for classical excellence
  • Don Bluth on his search for classical excellence – Page 2
  • The Sullivan Bluth Studios in Ireland
  • The Sullivan Bluth Studios in Ireland – Page 2
  • The Sullivan Bluth Studios in Ireland – Page 3
  • The Sullivan Bluth Studios in Ireland – Page 4
  • The Sullivan Bluth Studios in Ireland – Page 5
  • The Sullivan Bluth Studios in Ireland – Page 6
  • The Sullivan Bluth Studios in Ireland – Page 7
• Category: #27 Summer 1990
  • Issue 27 – Front cover
  • A reappraisal of Disney’s Melody Time
  • A reappraisal of Disney’s Melody Time – Page 2
  • A reappraisal of Disney’s Melody Time – Page 3
  • A reappraisal of Disney’s Melody Time – Page 4
  • A reappraisal of Disney’s Melody Time – Page 5
  • Martin Cheek stop-frame puppet animation
  • Martin Cheek stop-frame puppet animation – Page 2
  • Martin Cheek stop-frame puppet animation – Page 3
  • Martin Cheek stop-frame puppet animation – Page 4
  • Martin Cheek stop-frame puppet animation – Page 5
  • Martin Cheek stop-frame puppet animation – Page 6
  • Father Robert Murphy meets veteran Disney animator Grim Natwick
  • Father Robert Murphy meets veteran Disney animator Grim Natwick – Page 2
  • Father Robert Murphy meets veteran Disney animator Grim Natwick – Page 3
  • Desk Top Animation
  • Animation and education – Stan Heyward
  • Animation and education – Stan Heyward – Page 2
  • The Likely Lads from Rolf’s Cartoon Club
  • The Likely Lads from Rolf’s Cartoon Club – Page 2
  • The Rolf Harris Cartoon Club
  • The Rolf Harris Cartoon Club – Page 2
  • The Rolf Harris Cartoon Club – Page 3
  • The Rolf Harris Cartoon Club – Page 4
  • The Rolf Harris Cartoon Club – Page 5
• Category: #28 Autumn 1991
  • Issue 28 – Front cover
  • British animation’s big night out
  • Whatever happened to Sunflower?
  • The Worldview of Youri Norstein
  • The Worldview of Youri Norstein – Page 2
  • The Worldview of Youri Norstein – Page 3
  • Psychology for the animator – Mind over pencil
  • Howard Beckerman New York animator interview
  • Howard Beckerman New York animator interview – Page 2
  • Goblin – a bedroom studio winner
  • Goblin – a bedroom studio winner – Page 2
  • Bridging the great divide
  • Bridging the great divide – Page 2
  • Bridging the great divide – Page 3
  • I’m just mad about Saffron
  • I’m just mad about Saffron – Page 2
  • I’m just mad about Saffron – Page 3
  • Peter Lord interviewed at Aardman Animations
  • Peter Lord interviewed at Aardman Animations – Page 2
  • Peter Lord interviewed at Aardman Animations – Page 3
  • Peter Lord interviewed at Aardman Animations – Page 4
  • Peter Lord interviewed at Aardman Animations – Page 5
• Category: #29 Spring 1992
  • Issue 29 – Front cover
  • Sheila Graber on her conversion to computer animation
  • Sheila Graber on her conversion to computer animation – Page 2
  • Sheila Graber on her conversion to computer animation – Page 3
  • Annecy Animation Festival 1991
  • Annecy Animation Festival 1991 – Page 2
  • Annecy Festival 1991 – The Golden Cartoon
  • Annecy Festival 1991 – The Golden Cartoon – Page 2
  • Is there a future in short animated fiction?
  • Is there a future in short animated fiction? – Page 2
  • Is there a future in short animated fiction? – Page 3
  • Is there a future in short animated fiction? – Page 4
  • The history of the animation cel
  • The history of the animation cel – Page 2
  • Flip-books – More than child’s play
  • Flip-books – More than child’s play – Page 2
  • Flip-books – More than child’s play – Page 3
  • DeluxPaint Animation
  • DeluxPaint Animation – Page 2
  • Computer Assisted Traditional Animation
  • Computer Assisted Traditional Animation – Page 2
  • Computer Assisted Traditional Animation – Page 3
  • Computer Assisted Traditional Animation – Page 4
  • Computer Assisted Traditional Animation – Page 5
• Category: #30 Spring 1993
  • Issue 30 – Front cover
  • International Animation Festival Cardiff 1992
  • From Student to Professional Animation
  • From Student to Professional Animation – Page 2
  • From Student to Professional Animation – Page 3
  • Visual Effects on Terminator 2
  • Visual Effects on Terminator 2 – Page 2
  • Visual Effects on Terminator 2 – Page 3
  • Meet Klasky Csupo
  • Don Bluth’s Animation Class
  • Barry Purves talks about Screenplay
  • Barry Purves talks about Screenplay – Page 2
  • Computer Animation Studio from Disney
  • A Load Of Balls
  • A Load Of Balls – Page 2
  • National Film and Television School
  • National Film and Television School – Page 2
  • National Film and Television School – Page 3
  • National Film and Television School – Page 4
  • Designer dominated Disney books
  • Animating a theme park ride
  • Animating a theme park ride – Page 2
• Category: #31 Spring 1994
  • Issue 31 – Front cover
  • Editorial
  • In memory of Ken Anderson: Disney Artist
  • Halas & Batchelor Reformed
  • GILES – A 50 Years Celebration
  • Annecy Animation festival 1993
  • Annecy Animation festival 1993 – Page 2
  • The Jerry Hibbert Masterclass
  • The Jerry Hibbert Masterclass – Page 2
  • Anim-Amiga
  • Anim-Amiga – Page 2
  • Animation B.C. (Before Computers)
  • Animation B.C. (Before Computers) – Page 2
  • Animation B.C. (Before Computers) – Page 3
  • Animation B.C. (Before Computers) – Page 4
• Category: #32 Spring 1995
  • Issue 32 – Front cover
  • John Halas: an era has closed
  • International Animation Festival Cardiff 1994
  • Producers – Who needs them?
  • Producers – Who needs them? – Page 2
  • Producers – Who needs them? – Page 3
  • Producers – Who needs them? – Page 4
  • The Pizazz scene Flock of Birds
  • The Pizazz scene Flock of Birds – Page 2
  • ANIM-AMIGA – Part Two
  • ANIM-AMIGA – Part Two – Page 2
  • ANIM-AMIGA – Part Two – Page 3
  • Animation:Master review
  • Animation:Master review – Page 2
  • Animation:Master review – Page 3
  • Allah v. Disney in the South China Sea
• Category: #33 Summer 1995
  • Issue 33 – Front cover
  • Don Messick: the man with a million voices
  • Don Messick: the man with a million voices – Page 2
  • The ReBoot series
  • The ReBoot series – Page 2
  • The ReBoot series – Page 3
  • The ReBoot series – Page 4
  • Animating with the Commodore Amiga
  • Animating with the Commodore Amiga – Page 2
  • Animating with the Commodore Amiga – Page 3
  • The Rose of Baghdad
  • Graham Ralph: From Spider to Opera
  • Graham Ralph: From Spider to Opera – Page 2
  • Graham Ralph: From Spider to Opera – Page 3
• Category: Blog
  • Cel Shading: the Unsung Hero of Animation?
  • Category: Animators
    • Dale Hemenway then and now
    • Paul Thomas of Tiger Trax animation then and now
    • Sheila Graber then and now
    • Michael Salkeld then and now
  • Category: Computer animation
  • Category: Topical