Cosgrove-Hall Productions (page 1 of 3)

ANIMATED PRODUCTIONS FROM COSGROVE-HALL RANGE FROM THE TV SERIES “DANGERMOUSE” TO THE FEATURE LENGTH “WIND IN THE WILLOWS”.

FRANK BAKER LOOKS AT HOW THEY GOT STARTED.

The early part of Brian Cosgrove and Mark Hall’s story reminds me of two other animators, Walt Disney and Ub Iwerks. As two students Brian and Mark met at Art College, and their paths were to cross again some years later when they both joined Granada Televisions’ Graphics Department.

Cosgrove-Hall Productions (page 2 of 3)

Each model animation production shows advances in technique. By using modern materials Cosgrove Hall’s young designers and model engineers have taken animation into entirely new areas such as the facial movements and lip synchronization in THE WIND IN THE WILLOWS. Some of the techniques used by the company, including chemical formulae of modelling plastics and the design features of the puppet skeletons, are trade secrets.

Cosgrove-Hall Productions (page 3 of 3)

Taking fourteen months from conception to completion, once again the Cosgrove Hall mark of quality shows through. This cartoon special tells a wonderful magical tale in the Walt Disney tradition with that extra punch that has been lacking in all the recent Disney features.
The characters are many in this cartoon but each holds his own.