Posts
A He-Man leads the U.S.A. $yndication War$
A He-Man leads the U.S.A. $yndication War$ – Page 2
A He-Man leads the U.S.A. $yndication War$ – Page 3
A reappraisal of Disney’s Melody Time
A reappraisal of Disney’s Melody Time – Page 2
A reappraisal of Disney’s Melody Time – Page 3
A reappraisal of Disney’s Melody Time – Page 4
A reappraisal of Disney’s Melody Time – Page 5
Advice to the aspiring cartoonist
Alan Kitching and ANTICS computer animation
Alan Kitching and ANTICS computer animation – Page 2
Alan Kitching and ANTICS computer animation – Page 3
Alastair Taylor’s Fridge D’or – Page 2
Allah v. Disney in the South China Sea
ANIM-AMIGA – Part Two – Page 2
ANIM-AMIGA – Part Two – Page 3
Animated cartoons televised in the USA 1946-1981
Animated cartoons televised in the USA 1946-1981 – Page 2
Animated cartoons televised in the USA 1946-1981 – Page 3
Animated cartoons televised in the USA 1946-1981 – Page 4
Animated Comment – Ken Clark chats with Richard Williams
Animated Comment – Ken Clark chats with Richard Williams – Page 5
Animated Comment – Ken Clark chats with Richard Williams – Page 2
Animated Comment – Ken Clark chats with Richard Williams – Page 3
Animated Comment – Ken Clark chats with Richard Williams – Page 4
Animated films in the IAC film library (Autumn 1982)
Animated films in the IAC film library (Autumn 1982)
Animated films in the IAC film library (Autumn 1982)
Animated Pictures at an Exhibition
Animated Sketch Book – Animals moving
Animated Sketch Book – getting good movement
Animated Sketch Book – getting good movement
Animating a theme park ride – Page 2
Animating Christmas Card Cut-outs
Animating Christmas Card Cut-outs
Animating with the Commodore Amiga
Animating with the Commodore Amiga – Page 2
Animating with the Commodore Amiga – Page 3
Animation and Art by John Halas
Animation and education – Stan Heyward
Animation and education – Stan Heyward – Page 2
Animation B.C. (Before Computers)
Animation B.C. (Before Computers) – Page 2
Animation B.C. (Before Computers) – Page 3
Animation B.C. (Before Computers) – Page 4
Animation by a young film maker
Animation by a young film maker
Animation Festival Bristol ‘89
Animation Festival Bristol ‘89 – Page 2
Animation stew from The Black Cauldron
Animation stew from The Black Cauldron – Page 2
Animation Workshops with Young People
Animation:Master review – Page 2
Animation:Master review – Page 3
Annecy Animated Film Festival 1987
Annecy Animated Film Festival 1987 – Page 2
Annecy Animated Film Festival 1987 – Page 3
Annecy Animated Film Festival 1987 – Page 4
Annecy Animation Festival 1985
Annecy Animation Festival 1985 – Page 2
Annecy Animation Festival 1985 – Page 3
Annecy Animation Festival 1985 – Page 4
Annecy Animation Festival 1985 – Page 5
Annecy Animation Festival 1989
Annecy Animation Festival 1991
Annecy Animation Festival 1991 – Page 2
Annecy Animation festival 1993
Annecy Animation festival 1993 – Page 2
Annecy Animation Festival – the historical background
Annecy Animation Festival – the historical background
Annecy Animation Festival – the historical background
Annecy Animation Festival – the historical background
Annecy Festival 1991 – The Golden Cartoon
Annecy Festival 1991 – The Golden Cartoon – Page 2
Art Babbitt by Richard Williams
Art Babbitt by Richard Williams – Page 2
Art Babbitt’s animation seminar
Art Babbitt’s animation seminar – Page 2
Arthur Humberstone senior animator
Arthur Humberstone senior animator – Page 2
Arthur Humberstone senior animator – Page 3
Arthur Humberstone senior animator – Page 4
Arthur Humberstone senior animator – Page 5
Australian animation in the 1970s
Australian animation in the 1970s
Australian animation in the 1970s
Australian animation in the 1970s
Barry Leith at FilmFair Animation Studios (page 1 of 5)
Barry Leith at FilmFair Animation Studios (page 2 of 5)
Barry Leith at FilmFair Animation Studios (page 3 of 5)
Barry Leith at FilmFair Animation Studios (page 4 of 5)
Barry Macey at FilmFair Animation Studios (page 5 of 5)
Barry Purves talks about Screenplay
Barry Purves talks about Screenplay – Page 2
Basil – The Great Mouse Detective review
Basil – The Great Mouse Detective review – Page 2
Basil – The Great Mouse Detective review – Page 3
Beginner’s View – filming the cels
Beginner’s View – filming the cels
Beginner’s View – filming the cels
Beginner’s View of Inking and Painting Cels
Beginner’s View of Inking and Painting Cels
Beowulf in Plasticine – cameras might fly
Beowulf in Plasticine – cameras might fly – Page 2
Bernie Kay: Scriptwriting for Animation
Bernie Kay: Scriptwriting for Animation – Page 2
Bernie Kay: Scriptwriting for Animation – Page 3
Bob Godfrey workshop lecture – Page 2
Bob Privett. 19? to 1984. A tribute.
Book reviews Experimental Animation & Cartoons Il Cinema d’Animazione
Book reviews The Disney Studio Story
Book reviews The Disney Studio Story & Animation
Bread and Butter Art – a history of animated commercials
Brian Cosgrove co-founder of Cosgrove Hall
Bridging the great divide – Page 2
Bridging the great divide – Page 3
British animation’s big night out
Building an Animation Rostrum – part 3
Building an Animation Rostrum – part 3
Building an Animation Rostrum – part 1 (page 1 of 2)
Building an Animation Rostrum – part 1 (page 2 of 2)
Building an Animation Rostrum – part 2
Building an Animation Rostrum – part 2
Bye! Bye! Biographic Studios – Page 2
Bye! Bye! Biographic Studios – Page 3
Bye! Bye! Biographic Studios – Page 4
Cambridge Animation Festival 1983
Cambridge Animation Festival 1983
Cambridge Animation Festival 1983
Cambridge Animation Festival 1983
Cambridge Animation Festival 1985
Cambridge Animation Festival 1985 – Page 2
Cartoon Storyboards – where do ideas come from?
Cartoons, Computers and Antics
Cartoons, Computers and Antics
Cartoons, Computers and Antics – Page 2
Cartoons, Computers and Antics – Page 2
Cartoons, Computers and Antics – Page 3
Cartoons, Computers and Antics – Page 3
Cartoons, Computers and Antics – Page 4
Cartoons, Computers and Antics – Page 5
Cel Shading: the Unsung Hero of Animation?
Channel 4: commissioning and purchasing animation
Channel 4: commissioning and purchasing animation – Page 2
Charles ‘Joe’ Noble. 1894 to 1984. A tribute.
Chris Randall Producer/Director at Cosgrove Hall
Christine Walker model shop supervisor at Cosgrove Hall
Clarence Nash – the voice of Donald Duck
Clarence Nash – the voice of Donald Duck – Page 2
Computer animation at Lucasfilm
Computer animation at Lucasfilm – Page 2
Computer Animation Studio from Disney
Computer Assisted Traditional Animation
Computer Assisted Traditional Animation – Page 2
Computer Assisted Traditional Animation – Page 3
Computer Assisted Traditional Animation – Page 4
Computer Assisted Traditional Animation – Page 5
Contemporary British Animation in 1983
Cosgrove-Hall Productions (page 1 of 3)
Cosgrove-Hall Productions (page 2 of 3)
Cosgrove-Hall Productions (page 3 of 3)
Cutting the cost of cel animation
Cutting the cost of cel animation
D.I.Y. Rostrum Part Two – Page 2
Dan Whitworth developer for Count Duckula series
Dan Whitworth developer for Count Duckula series – Page 2
David Hall’s Wonderland – book review
David Hall’s Wonderland – book review – Page 2
Designer dominated Disney books
Disney Animator Ollie Johnston
Disney Animator Ollie Johnston – Page 2
Disney Animator Ollie Johnston – Page 3
Disney Animator Ollie Johnston – Page 4
Disney Animator Ollie Johnston – Page 5
Disneyland – the greatest walk-thru cartoon ever drawn
Disneyland – the greatest walk-thru cartoon ever drawn – Page 2
Disneyland – the greatest walk-thru cartoon ever drawn – Page 3
Don Bluth on his search for classical excellence
Don Bluth on his search for classical excellence – Page 2
Don Messick: the man with a million voices
Don Messick: the man with a million voices – Page 2
Dr. Scratch – My Favourite Shorts
Drawing Cartoons – how to show expressions
Early Animated Adverts programme at the NFT
Experiment with animating abstract shapes
Experiment with animating abstract shapes – Page 2
Experiment with animating abstract shapes – Page 3
Father Robert Murphy meets veteran Disney animator Grim Natwick
Father Robert Murphy meets veteran Disney animator Grim Natwick – Page 2
Father Robert Murphy meets veteran Disney animator Grim Natwick – Page 3
Feature Films at the Cambridge animation Festival 1983
Film Workshop in Edinburgh 1983
Films at the Cambridge animation Festival 1983
Films at the Cambridge animation Festival 1983
Flip-books – More than child’s play
Flip-books – More than child’s play – Page 2
Flip-books – More than child’s play – Page 3
Francis Vose director of Creepy Crawlies at Cosgrove Hall
Francis Vose director of Creepy Crawlies at Cosgrove Hall – Page 2
From Mr Man to Bananaman – Flicks Films
From Mr Man to Bananaman – Flicks Films – Page 2
From Mr Man to Bananaman – Flicks Films – Page 3
From Mr Man to Bananaman – Flicks Films – Page 4
From Mr Man to Bananaman – Flicks Films – Page 5
From Student to Professional Animation
From Student to Professional Animation – Page 2
From Student to Professional Animation – Page 3
Gaumont British Animation – A Great British Achievement
Gaumont British Animation – A Great British Achievement – Page 2
Gaumont British Animation – A Great British Achievement – Page 3
George Pal Puppetoons – the early years
George Pal Puppetoons – the early years – Page 2
George Pal Puppetoons – the early years – Page 3
GILES – A 50 Years Celebration
Girl’s night out – Joanna Quinn
Girl’s night out – Joanna Quinn – Page 2
Girl’s night out – Joanna Quinn – Page 3
Goblin – a bedroom studio winner
Goblin – a bedroom studio winner – Page 2
Graham Clutterbuck – a great entrepreneur
Graham Clutterbuck – a great entrepreneur – Page 2
Graham Ralph: From Spider to Opera
Graham Ralph: From Spider to Opera – Page 2
Graham Ralph: From Spider to Opera – Page 3
Group Animation – Our First Attempt
Group Animation – Our First Attempt
Group Animation – Our First Attempt
Group Animation – Our First Attempt
Growing up with Hanna-Barbera – Page 2
Harold Whitaker by John Halas – Page 2
Harold Whitaker by John Halas – Page 3
Harold Whitaker by John Halas – Page 4
Highlights of British animation 1985
Highlights of British animation 1985 – Page 2
Highlights of British animation 1985 – Page 3
How animation paint is made – Page 2
How animation paint is made – Page 3
How to build a Zoetrope – Page 2
Howard Beckerman New York animator interview
Howard Beckerman New York animator interview – Page 2
In memory of Ken Anderson: Disney Artist
International Animation Festival Cardiff 1992
International Animation Festival Cardiff 1994
Introducing a new Visual Language
Introducing a new Visual Language
Introducing a new Visual Language
Is there a future in short animated fiction?
Is there a future in short animated fiction? – Page 2
Is there a future in short animated fiction? – Page 3
Is there a future in short animated fiction? – Page 4
Issue 1 – Index of selected articles
Issue 10 – Index of selected articles
Issue 11 – Index of selected articles
Issue 12 – Index of selected articles
Issue 13 – Index of selected articles
Issue 14 – Index of selected articles
Issue 15 – Index of selected articles
Issue 16 – Index of selected articles
Issue 17 – Index of selected articles
Issue 18 – Index of selected articles
Issue 19 – Index of selected articles
Issue 2 – Index of selected articles
Issue 20 – Index of selected articles
Issue 21 – Index of selected articles
Issue 22 – Index of selected articles
Issue 23 – Index of selected articles
Issue 24 – Index of selected articles
Issue 25 – Index of selected articles
Issue 26 – Index of selected articles
Issue 27 – Index of selected articles
Issue 28 – Index of selected articles
Issue 29 – Index of selected articles
Issue 3 – Index of selected articles
Issue 30 – Index of selected articles
Issue 31 – Index of selected articles
Issue 32 – Index of selected articles
Issue 33 – Index of selected articles
Issue 4 – Index of selected articles
Issue 5 – Index of selected articles
Issue 6 – Index of selected articles
Issue 7 – Index of selected articles
Issue 8 – Index of selected articles
Issue 9 – Index of selected articles
I’m just mad about Saffron – Page 2
I’m just mad about Saffron – Page 3
Jackie Cockle Director of Wind in the Willows at Cosgrove Hall
Jazz in Animation – Experimental
Jazz in Animation – Experimental
Jazz in Animation – Experimental
Jiri Barta and The Pied Piper – Page 2
Jiri Barta and The Pied Piper – Page 3
John Hambley Chief Executive Cosgrove Hall interview
Ken Clark chats with Bob Godfrey
Ken Clark chats with Bob Godfrey – Page 2
Ken Clark chats with Bob Godfrey – Page 3
Ken Clark chats with Dick and Elizabeth Horn
Ken Clark chats with Dick and Elizabeth Horn – Page 2
Ken Clark chats with Dick and Elizabeth Horn – Page 3
Ken Clark chats with Dick and Elizabeth Horn – Page 4
Ken Clark chats with John Coates
Ken Clark chats with John Coates – Page 2
Ken Clark chats with John Coates – Page 3
Klacto – Oscar Grillo and Ted Rockley
Klacto – Oscar Grillo and Ted Rockley – Page 2
Klacto – Oscar Grillo and Ted Rockley – Page 3
Klacto – Oscar Grillo and Ted Rockley – Page 4
Klacto – Oscar Grillo and Ted Rockley – Page 5
Klacto – Oscar Grillo and Ted Rockley Page 6
Labour Saving Animation with Lip-sync
Labour Saving Animation with Lip-sync
Labour Saving Animation with Lip-sync
Labour Saving Animation with Lip-sync
Make Mine Music – Disney film review
Make Mine Music – Disney film review – Page 2
Make Mine Music – Disney film review – Page 3
Make Mine Music – Disney film review – Page 4
Making Puppets for Stop-motion Films
Making Puppets for Stop-motion Films
Mark Hall co-founder of Cosgrove Hall
Martin Cheek stop-frame puppet animation
Martin Cheek stop-frame puppet animation – Page 2
Martin Cheek stop-frame puppet animation – Page 3
Martin Cheek stop-frame puppet animation – Page 4
Martin Cheek stop-frame puppet animation – Page 5
Martin Cheek stop-frame puppet animation – Page 6
Mickey Mouse – The Mouse’s Tale
Mickey Mouse – The Mouse’s Tale – Page 2
Mickey Mouse – The Mouse’s Tale – Page 3
Micro-computer rostrum control
Micro-computer rostrum control – Page 2
My Animation Experience So Far
National Film and Television School
National Film and Television School – Page 2
National Film and Television School – Page 3
National Film and Television School – Page 4
News reports: Bluth commercials – Huxley Pig
News reports: Bristol Festival ’89 – ASIFA UK Board election
News reports: Charlie Chalk – M.E.D.I.A. 92
News reports: The Hippodrome Show – Miro Man
Nigel Cornford puppet costume maker at Cosgrove Hall
Nik Lever of Catalyst Pictures
Nik Lever of Catalyst Pictures – Page 2
Nik Lever of Catalyst Pictures – Page 3
Nik Lever of Catalyst Pictures – Page 4
Nik Lever of Catalyst Pictures – Page 5
Nik Lever of Catalyst Pictures Page 6
Oliver & Company: hand drawn in the Disney tradition
Oliver & Company: hand drawn in the Disney tradition Page 2
Oliver & Company: hand drawn in the Disney tradition Page 3
Owning part of your dream – collecting animation art
Owning part of your dream – collecting animation art – Page 2
Painting the cels at Cosgrove Hall
Paul Driessen Workshop – Page 2
Paul Driessen Workshop – Page 3
Paul Thomas of Tiger Trax animation then and now
Perspective for Animators – Page 2
Perspective for animators – Page 2
Perspective for animators – Page 3
Perspective for Animators Part Three Cylindrical Perspective
Perspective for Animators Part Three Cylindrical Perspective – Page 2
Perspective for Animators Part Three Cylindrical Perspective – Page 3
Peter Lord interviewed at Aardman Animations
Peter Lord interviewed at Aardman Animations – Page 2
Peter Lord interviewed at Aardman Animations – Page 3
Peter Lord interviewed at Aardman Animations – Page 4
Peter Lord interviewed at Aardman Animations – Page 5
Pondles join pre-school market
Pondles join pre-school market – Page 2
Pondles join pre-school market – Page 3
Pondles join pre-school market – Page 4
Pondles join pre-school market – Page 5
Pondles join pre-school market – Page 6
Pondles join pre-school market – Page 7
Pondles join pre-school market – Page 8
Pop goes Hierographics trace and paint service
Pop goes Hierographics trace and paint service – Page 2
Prepare to enter the realm of the imagination
Prepare to enter the realm of the imagination – Page 2
Prepare to enter the realm of the imagination – Page 3
Producers – Who needs them? – Page 2
Producers – Who needs them? – Page 3
Producers – Who needs them? – Page 4
Psychology for the animator – Mind over pencil
Ray Fields workshop lecture – Page 2
Richard Taylor’s Swimsong – Page 2
Richard Williams and Who Framed Roger Rabbit
Richard Williams and Who Framed Roger Rabbit – Page 2
Richard Williams and Who Framed Roger Rabbit – Page 3
Richard Williams and Who Framed Roger Rabbit – Page 4
Richard Williams and Who Framed Roger Rabbit – Page 5
Richard Williams and Who Framed Roger Rabbit – Page 6
Richard Williams and Who Framed Roger Rabbit – Page 7
Richard Williams and Who Framed Roger Rabbit – Page 8
Roger the Lucky Rabbit – Who Framed Roger Rabbit review
Roger the Lucky Rabbit – Who Framed Roger Rabbit review – Page 2
Roger the Lucky Rabbit – Who Framed Roger Rabbit review – Page 3
Rostrum camera and post-production at Cosgrove Hall
Scratch and Tiger Trax Animation
Scratch and Tiger Trax Animation – Page 2
Scratch and Tiger Trax Animation – Page 3
Sean Lenihan on Editing Animated Films
Sean Lenihan on Editing Animated Films – Page 2
Sean Lenihan on Editing Animated Films – Page 3
Sheila Graber on her conversion to computer animation
Sheila Graber on her conversion to computer animation – Page 2
Sheila Graber on her conversion to computer animation – Page 3
Snow White – Behind the Magic Mirror
Snow White – Behind the Magic Mirror – Page 2
Snow White – Behind the Magic Mirror – Page 3
Snow White – Behind the Magic Mirror – Page 4
Snow White and the Seven Dwarfs – Disney‘s fabulous folly
Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 2
Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 3
Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 4
Snow White and the Seven Dwarfs – Disney‘s fabulous folly – Page 5
Snow White meets Giovanni Morelli
Snow White meets Giovanni Morelli – Page 2
Snow White meets Giovanni Morelli – Page 3
The Animator’s Bookshelf – Page 2
The Animator’s Bookshelf – Page 3
The Annecy Animation Festival 1983
The Annecy Animation Festival 1983
The Annecy Animation Festival 1983
The Annecy Animation Festival 1983
The Art Babbitt Classical Animation Course
The Art Babbitt Classical Animation Course – Page 2
The Art Babbitt Classical Animation Course – Page 3
The Art Babbitt Classical Animation Course – Page 4
The Best of British Animation programme
The Bristol Animation Festival 1987 – Page 2
The Brussels Super 8 International Film Festival 1983
The Brussels Super 8 International Film Festival 1983
The Brussels Super 8 International Film Festival 1983
The Cambridge Animation Festival 1983
The Cambridge Animation Festival 1983
The Cambridge Animation Festival 1983
The Cambridge Animation Festival 1983
The Cambridge Animation Festival 1983
The design team at Cosgrove Hall
The design team at Cosgrove Hall – Page 2
The design team at Cosgrove Hall – Page 3
The fairest film of all – Snow White reassessed
The fairest film of all – Snow White reassessed – Page 2
The fairest film of all – Snow White reassessed – Page 3
The fairest film of all – Snow White reassessed – Page 4
The Films of Sheila Graber 1974 to 1977
The Films of Sheila Graber 1974 to 1977
The Films of Sheila Graber 1974 to 1977
The Films of Sheila Graber 1977 to 1982
The Films of Sheila Graber 1977 to 1982
The Grasshopper Animators – part 2
The Grasshopper Animators – part 2
The Grasshopper Animators – part 3
The Grasshopper Animators – part 3
The Grasshopper Animators – part 3
The Grasshopper Group – part 1
The Grasshopper Group – part 1
The Great Animation Debate – Page 2
The hard cel – collecting original animation artwork
The history of the animation cel
The history of the animation cel – Page 2
The International Trickfilm Festival Stuttgart ‘88
The International Trickfilm Festival Stuttgart ‘88 – Page 2
The International Trickfilm Festival Stuttgart ‘88 – Page 3
The International Trickfilm Festival Stuttgart ‘88 – Page 4
The Jerry Hibbert Masterclass – Page 2
The kitchen as an puppet animation studio
The kitchen as an puppet animation studio – Page 2
The kitchen as an puppet animation studio – Page 3
The Likely Lads from Rolf’s Cartoon Club
The Likely Lads from Rolf’s Cartoon Club – Page 2
The making of Izzi Knott Cocky
The making of Life Cycle – Page 2
The making of When the Wind Blows
The making of When the Wind Blows – Page 2
The making of When the Wind Blows – Page 3
The making of When the Wind Blows – Page 4
The making of When the Wind Blows – Page 5
The making of When the Wind Blows – Page 6
The making of When the Wind Blows – Page 7
The making of When the Wind Blows – Page 8
The making of When the Wind Blows – Page 9
The Masters of Animation collection
The Masters of Animation collection – Page 2
The Perils of Plasticine – Page 2
The photo’s of Eadweard Muybridge
The photo’s of Eadweard Muybridge
The photo’s of Eadweard Muybridge
The photo’s of Eadweard Muybridge
The Pizazz scene Flock of Birds
The Pizazz scene Flock of Birds – Page 2
The puppet workshop at Cosgrove Hall
The puppet workshop at Cosgrove Hall – Page 2
The Rolf Harris Cartoon Club – Page 2
The Rolf Harris Cartoon Club – Page 3
The Rolf Harris Cartoon Club – Page 4
The Rolf Harris Cartoon Club – Page 5
The Shadows Move – G.B. Animation
The Shadows Move – Part Six – the rise of TV animation
The Shadows Move – Part Six – the rise of TV animation
The Shadows Move – Part Six – the rise of TV animation
The Shadows Move – the 1950s (page 1 of 4)
The Shadows Move – the 1950s (page 2 of 4)
The Shadows Move – the 1950s (page 3 of 4)
The Shadows Move – the 1950s (page 4 of 4)
The Shadows Move – the 1970s – Page 2
The Shadows Move – the 1970s – Page 3
The Shadows Move – the 1970s – Page 4
The Shadows Move – the British pioneers
The Shadows Move – the British pioneers
The Shadows Move – the British pioneers
The Shadows Move – G.B. Animation
The Shadows Move – G.B. Animation
The Shadows Move – G.B. Animation
The Sullivan Bluth Studios in Ireland
The Sullivan Bluth Studios in Ireland – Page 2
The Sullivan Bluth Studios in Ireland – Page 3
The Sullivan Bluth Studios in Ireland – Page 4
The Sullivan Bluth Studios in Ireland – Page 5
The Sullivan Bluth Studios in Ireland – Page 6
The Sullivan Bluth Studios in Ireland – Page 7
The USA scene – Report from John Cawley
The Video-of-the-Film-of-the-Book
The Video-of-the-Film-of-the-Book – Page 2
The Vulture – Plasticine Animation Takes Off
The Vulture – Plasticine Animation Takes Off
The Wind in the Willows – Cosgrove Hall
The Wind in the Willows – Cosgrove Hall
The Wind in the Willows – Cosgrove Hall
The Worldview of Youri Norstein
The Worldview of Youri Norstein – Page 2
The Worldview of Youri Norstein – Page 3
Tony Salmon’s The Devil Went Down to Georgia
Tony Salmon’s The Devil Went Down to Georgia
Tony White’s Animator’s Workbook
Tony White’s Animator’s Workbook – Page 2
Tony White’s Animator’s Workbook – Page 3
Tony White’s Animator’s Workbook – Page 4
Tony White’s Animator’s Workbook – Page 5
Trace and paint with Maggy Clark
Tribute to Norman McLaren – Page 2
TVC Animation Studio from the Beatles to the Snowman
TVC Animation Studio from the Beatles to the Snowman
TVC Animation Studio from the Beatles to the Snowman
TVC Animation Studio from the Beatles to the Snowman
Using Storyboards for Cartoon Animation
Using Storyboards for Cartoon Animation
Using Storyboards for Cartoon Animation
Visit to Camera Effects Ltd in London
Visit to Camera Effects Ltd in London – Page 2
Visit to Camera Effects Ltd in London – Page 3
Visit to Rushes Postproduction Ltd in London
Visit to Rushes Postproduction Ltd in London – Page 2
Visual Effects on Terminator 2
Visual Effects on Terminator 2 – Page 2
Visual Effects on Terminator 2 – Page 3
Walk-Run Cycles for Cartoon Animation
Walk-Run Cycles for Cartoon Animation
Walt Disney’s Pinocchio – Animation Masterwork
Walt Disney’s Pinocchio – Animation Masterwork – Page 2
What makes Brian Borthwick tick?
What makes Brian Borthwick tick? – Page 2
Whatever happened to Signal Film Unit?
Whatever happened to Signal Film Unit? – Page 2
Whatever happened to Sunflower?
When The Wind Blows film review
Who Framed Roger Rabbit – some background pictures
Who Framed Roger Rabbit – some background pictures – Page 2
Who Framed Roger Rabbit – some background pictures – Page 3
Will the REAL Walt Disney… – Page 2
Winsor McCay, His Life and Art
Winsor McCay, His Life and Art – Page 2
With a smile and a song – Adriana Caselotti
With a smile and a song – Adriana Caselotti – Page 2