A Matter of Loaf and Death

The Wallace and Gromit TV short “A Matter of Loaf and Death” has been nominated for an Oscar for best animated short film in the 82nd Academy Awards. It was made at the Aardman animation studio and directed by Nick Park. Nick has previously been Oscar nominated five times and won four times (the fifth nomination was against another of his own films).

A Matter of Loaf and Death was the big TV hit of Christmas 2008 and features the voices of Geraldine McEwan, Peter Sallis and Sally Lindsay.
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MonkeyJam is a free digital pencil test program that runs on the Windows operating system. It lets you capture images from a webcam, camcorder, or scanner and assemble the separate frames into an animation. You can also import existing images and sound files from your computer. Although it is designed for pencil and paper, MonkeyJam can also be used for stop-motion animation. Once you have created your movie it can be exported as an AVI file.

MonkeyJam information panel (click pic to enlarge)

The MonkeyJam software downloaded and installed on my PC without problems. The program starts with a window containing an information panel and a frame list. There is a help file with a quick start section to give the basics.

The first step is to select a folder to store your image files. The nest step is to select a method of adding your images to the frame list. This can be from a video source such as webcam or from a scanner. Alternatively you can import existing image files that you already have on you computer.

For the purposed of this test I decided to use the stills that I had created for my bouncing ball demonstration. It was simply a matter of selecting the images from the computer and clicking the import button. To view the animation you select Preview from the Tools menu and the software builds your movie and opens another window to play it back. It is as simple as that. You can then export your movie to an AVI file for sharing with others, such as uploading to YouTube.
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A collection of 13 short films from the Aardman Animations studio have been added to a film site called Indie Movies Online. The movies are free to watch although you do have to sit through a 30 second advert before the movie plays.

Among the movies on offer are Peter Lord’s Oscar-nominated Adam in which God is attempting to lay down some rules to the first man on Earth – while Adam himself is longing for somebody to keep him company. Plasticine animation.
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Cover of the Morph DVD.

If you are considering having a go at Plasticine animation then an easy way to start is with a “my own Morph” kit from Flair Create.

The Plasticine stop-motion character Morph first appeared on a children’s TV art show called “Take Hart” in 1977. He interacted with the shows presenter Tony Hart, providing short humorous sequences. Much of the action consisted of Morph changing shape, such as rolling into a ball. Or he would disappear into the table top as if sinking into water. These kind of actions suit the medium of Plasticine as it is infinitely changeable.
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Tristan Oliver.

Director of Photography, Tristan Oliver, demonstrated the secrets behind Aardman’s animated Wallace and Gromit movie “The Curse of the Wererabbit” to a group of 11 year olds in a video clip on the BAFTA website.

In very clear language Tristan takes the children through the process from scripting to animation using clips, real models from the films, drawings and stories. Near the end of the video clip he takes questions from the children who demonstrate a great enthusiasm for the subject.
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Plasticine animation in progress.

Maybe you have been inspired by the adventures of Wallace and Gromit and would like to produce your own animated plasticine films. If you are wondering where to start here is a complete beginner’s guide to plasticine animation.

First some advice from amateur animator Fred O’Neil (writing in Animator’s newsletter issue 4): “Try putting a ball of plasticine in front of the camera, set the camera to single frame, and take one picture only. Taking care not to shift the ball from its original position, squeeze it very slightly, and take another picture. Continuing in this way, the ball you began with will assume various shapes, and in this way you can obtain inspiration. Work patiently and slowly for the whole effect can be spoiled large movements.”
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