The Secret of BLUTH Don Bluth talks with Brian Sibley. DON BLUTH: My personal history of animation goes back a long way. I saw my first animated film when I […]
The Sullivan Bluth Studios in Ireland
So the Tail goes on By Stephen Dunne The Sullivan Bluth Studio came to Ireland initially in 1985 and put the finishing touches to the cel painting of An American […]
The Sullivan Bluth Studios in Ireland – Page 2
The editorial department itself is equipped with multiple viewing and editorial facilities, including a two-channel Steinbeck, two preview (large screen) Moviolas and standard Moviola equipment. Additional services provided by the […]
The Sullivan Bluth Studios in Ireland – Page 3
The job of keeping a look-out for errors goes to the ‘Music Room’. This name stems from the early days of the Walt Disney studio when music was played here, […]
The Sullivan Bluth Studios in Ireland – Page 4
In the animation department the story is divided up scene-by-scene and distributed among the character animators. The animators’ task is to bring movement, personality and life to the character he […]
The Sullivan Bluth Studios in Ireland – Page 5
The studio trains their own animators and this could take anything from three to five years. Another five years would generally be needed to reach a proficient standard as a […]
The Sullivan Bluth Studios in Ireland – Page 6
Although each second of film consists of twenty-four frames, in some cases if the action is very fast the animation can be shot on ‘twos’, that is two frames per […]
The Sullivan Bluth Studios in Ireland – Page 7
The latest film to be released in the U.S.A., All Dogs go to Heaven, opened in November 1989 and grossed $14.4 million in its first three weeks. It tells the […]