Yellow Dustbin is a seven minute animated film starring Scratch, Itch and Eve. It is the first Scratch film to be made in thirty years. Scratch last appeared on British television in 1983. In the meantime Scratch and his cartoon pals are alive and well, and appearing regularly as a strip cartoon in the Salisbury Journal.
Armed with a simple love story, Paul Thomas has set his new film in the town of Totnes, where the Scratch strip cartoons are published. Paul says the architecture proved to be ideal for the backgrounds creating a nostalgic English feel. The surreal images were inspired by Dada and psychedelia.
We asked Paul about the production of Yellow Dustbin.
David Jefferson: You were making short animations for the BBC Take Hart programs in the 1980s when film ruled the day. How do the digital tools available to the present day animator compare with shooting on film?
Paul Thomas: There was tension and anticipation when awaiting the delivery of a 16mm cutting copy being processed over night at the Rank Film Labs. Hoping there were no scratches on the neg and I always did mixes and fades ‘in camera’ which too were a risk. Then watching the precious piece of film on the Steenbeck editing table, breathing a sigh of relief that all went to plan.
Then later in the process to have Peter Harwood (the voice of Morph) create a soundtrack to picture. I relished the challenge to bring all the creative contributions together for a short animated film fit for broadcast on national television.
In comparison all the previous processes can be achieved digitally on a computer without leaving your seat. Yes you bypass time consuming activities. Yes you can create everything yourself with the aid of software packages but I always enjoyed the adventure of going to BBC TV Centre. I felt a part of the programme while being able to drop in the production office on spec. Sit in on editing and dubbing. Having the privileged position of watching unedited sequences of Tony Hart unhindered by music overdubs as he performed to camera.
DJ: What were the main software tools used in the production of Yellow Dustbin?
PT: My home computer was the main tool used to create Yellow Dustbin. I used Windows Movie Maker software to assemble the images. It’s a godsend. I can make my crazy illustrated films with The Hare and The Moon on tap. I wished to maintain the rouge edge look of the original Scratch films and that was achieved through the artwork and the various mediums I used. It was the first time working without a rostrum camera so my work was simply scanned in using a peg bar taped to the scanner.
The music, vocal and Matt Dean’s photographs were loaded from emails and CD’s. It was the editing though that made the film. I was surprised my computer offered so much for me to achieve what I wanted. The ability to drop images in here and there. Pull the soundtrack into line with the picture and move entire scenes around at the click of a button.
DJ: The voice of I.V. Webb has a beautiful clarity. Is she a professional actress?
PT: No. I.V. Webb is a singer songwriter currently recording an album in the UK. Once the music for Yellow Dustbin, composed by performed by The Hare And The Moon, was complete I sought a vocalist. I found I.V. Webb. On hearing the warmth and tone in her voice knew she was the one. I was fortunate I.V. took a shine to the script and I made a return to the old ways by taking her into a recording studio to put the vocal down.
Paul explained that Yellow Dustbin is structured as a four part symphony.
Part 1. Home: Sitting on a bench in Totnes high street Paul reflects on his animated cartoon characters. They escape once more from his imagination with help from the music of The Hare And The Moon, the voice of I.V. Webb and photographs taken by Matt Dean. Scratch in his Yellow Dustbin is lifted above the top of the steep high street looking down to his destination as oranges race by Itch mouse.
Part 2. Sky: Itch decorates the sky with whimsical waggish dazzle. Scratch is side tracked but entertained.
Part 3. Remember: As the sky display dwindles The Gallery takes us back to where it all began with Tony Hart. Hanging on a pink wall are scenes from those first animated appearances in Take Hart.
Part 4. Love: Unaware of his interruptions as she dreams of their romance Eve waits for Scratch at the bottom of the high street. It’s clear they are in love. Paul bids us thank you and goodbye in a very Dylanesque way.